commission brief:
In 1966, VP Joseph Stewart approached New Haven mayor, Richard Lee, about purchasing what was viewed as a “pivotal” piece of land in the Long Wharf Redevelopment Area. The site, as it occupied an important tract of land at the intersection of Interstates 91 and 95, would mark the gateway to New Haven. Thus, Mayor Lee was much concerned over the choice of architect. He insisted that anything built on the site should have an architectural presence and be built by a master.
The Armstrong Rubber Company’s program requirements were as follows: two or three floors of administrative office space, assumed by Armstrong Rubber Co. to be placed near the turnpike, and a one or two story high-ceiling space for the research and development laboratories to be relocated to New Haven from West Haven.
design brief:
Armstrong Rubber Co. initially anticipated two or three floors of administrative space at the front of the site and a research and development structure of one to two story to be located at the rear, as the testing of tires to the point of destruction made a noticeable amount of noise. That the site selected lay below the roadbed grade posed a design dilemma, as this would render the originally low building plan unimposing to passing vehicular traffic. Mayor Lee suggested that the building be constructed as a 10-18 story tower – Armstrong Rubber Co. disagreed. Marcel Breuer, architect, proposed a two-story research and development structure at grade with administrative offices “hanging” above, leaving a 2-story gap. The client viewed the commission of the building as their way back into the public eye. The only point in the design process during which Armstrong Rubber Co. requested a design change from Breuer was in regards to the tower’s height. Breuer willingly conceded. Though some supporters of Breuer may have urged for more reluctance on his part to compromise his vision, others attribute his ease to his recognition of Mr. Stewart’s responsibility to shareholders, in maintaining minimal costs. Considering this within the framework of Modern architecture, Breuer’s response seems actually appropriate, as the Modernist architect was driven by careful functional analysis and demanded efficiency in structure as well as affordability in creation. The completing feature of the building, the sign, reveals a moment of teamwork between City Planning officials and the Breuer design team. Breuer’s design initially called for a three story stand-alone sign – a rooftop sign was never planned, as this would damage the buildings distinctive silhouette. However, a sign of this scale was against signage ordinance. By including a small storage space at the sign’s base, the “sign” could be deemed a “gardening shed” and thus a structure, able to be built to any height desired.