DocomomoJoin
  • Explore Modern
    • Explore the register
    • Designers
    • Styles of the Modern Era
    • Resources
  • Latest News
  • Events
    • Upcoming events
    • Modernism in America Awards
    • National Symposium
    • Tour Day
  • Support
    • Donate
    • Membership
    • Theodore Prudon Fund
    • Why become a member
    • Members & Supporters
  • Engage
    • About
    • Regional chapters
    • Start a chapter
    • Submit a site you love
    • Get involved
  • Search
  • Explore Modern
  • Register

Orange County Government Center

Altered
  • Brutalist
  • Identity of Building/Site
  • History of Building/Site

Orange County Government Center

Site overview

An icon of Brutalist architecture, Paul Rudolph’s Orange County Government Center is comprised of three interconnecting concrete buildings with similar massing and forms. Each building is three stories tall consisting of a series of concrete boxes, or blocks, stacked upon one another and cantilevered out by concrete beams, each extruding mass is further defined by its fenestration. The individual boxes vary in size but are uniform in their style and use of floor to ceiling single panes of glass. Portions of the structure appear organic: some blocks are smallest on the first floor and grow with each succeeding story so that it appears that the building is growing like a tree from the ground. Other facades have a heavier orientation caused by blocks and stories that appear to merge and lose form.The building is notable not only for its unique massing and use of textured concrete but also for its deliberate employment of natural light, which plays on the rough textures and extruding volumes of the building.

Orange County Government Center

Site overview

An icon of Brutalist architecture, Paul Rudolph’s Orange County Government Center is comprised of three interconnecting concrete buildings with similar massing and forms. Each building is three stories tall consisting of a series of concrete boxes, or blocks, stacked upon one another and cantilevered out by concrete beams, each extruding mass is further defined by its fenestration. The individual boxes vary in size but are uniform in their style and use of floor to ceiling single panes of glass. Portions of the structure appear organic: some blocks are smallest on the first floor and grow with each succeeding story so that it appears that the building is growing like a tree from the ground. Other facades have a heavier orientation caused by blocks and stories that appear to merge and lose form.The building is notable not only for its unique massing and use of textured concrete but also for its deliberate employment of natural light, which plays on the rough textures and extruding volumes of the building.

Orange County Government Center

Site overview

An icon of Brutalist architecture, Paul Rudolph’s Orange County Government Center is comprised of three interconnecting concrete buildings with similar massing and forms. Each building is three stories tall consisting of a series of concrete boxes, or blocks, stacked upon one another and cantilevered out by concrete beams, each extruding mass is further defined by its fenestration. The individual boxes vary in size but are uniform in their style and use of floor to ceiling single panes of glass. Portions of the structure appear organic: some blocks are smallest on the first floor and grow with each succeeding story so that it appears that the building is growing like a tree from the ground. Other facades have a heavier orientation caused by blocks and stories that appear to merge and lose form.The building is notable not only for its unique massing and use of textured concrete but also for its deliberate employment of natural light, which plays on the rough textures and extruding volumes of the building.

Orange County Government Center

Site overview

An icon of Brutalist architecture, Paul Rudolph’s Orange County Government Center is comprised of three interconnecting concrete buildings with similar massing and forms. Each building is three stories tall consisting of a series of concrete boxes, or blocks, stacked upon one another and cantilevered out by concrete beams, each extruding mass is further defined by its fenestration. The individual boxes vary in size but are uniform in their style and use of floor to ceiling single panes of glass. Portions of the structure appear organic: some blocks are smallest on the first floor and grow with each succeeding story so that it appears that the building is growing like a tree from the ground. Other facades have a heavier orientation caused by blocks and stories that appear to merge and lose form.The building is notable not only for its unique massing and use of textured concrete but also for its deliberate employment of natural light, which plays on the rough textures and extruding volumes of the building.

How to Visit

Public government buidling

Location

255-275 Main Street
Goshen, NY, 10294

Country

US

Case Study House No. 21

Lorem ipsum dolor

Designer(s)

Paul Rudolph

Architect

Paul M. Rudolph (1918-1997) was born a minister’s son in Elkton, Kentucky.

Inspired by architecture at an early age, Rudolph studied architecture as an undergraduate at Alabama Polytechnic (now Auburn University), and after a brief period in the Navy during WWII, he successfully completed graduate studies at Harvard under Bauhaus founder Walter Gropius.

Rudolph was a pioneering architect in Sarasota, Florida, a major figure of the ‘Sarasota School of Architecture,' which gained international attention for innovative solutions to the modern American home.

He was Dean of the Yale School of Architecture from 1958-1965, during which his best known work, the Yale Art & Architecture Building, was completed and became both a Modernist icon and a topic of controversy.

After his tenure at Yale, Rudolph continued during the next 30 years to create some of Modernism's most unique and powerful architecture.

Despite the wane in Rudolph’s popularity during the dominance of Post-Modernism in the late 70’s and 80’s, his work and legacy has had a profound impact on the architecture of our era.

Rudolph, who is today considered one of America’s great Late Modernist architects, was an inspirational mentor to those whom he taught. His former students include some of architecture’s most internationally respected architects such as Norman Foster, Richard Rogers, and Robert A.M. Stern, among many others.

Nationality

American

Related News

Modernism at Risk, Modern Solutions for Saving Our Modern Landmarks

Exhibition

February 19, 2010

State places Hurley Building at a crossroads

Threatened, Advocacy, brutalism

November 07, 2019

Trenton, NJ's Brutalist buildings being torn down for surface parking

Threatened, brutalism

April 26, 2021

Hurley Building development moves forward

Threatened, Advocacy, brutalism, new england, Paul Rudolph

August 25, 2022
Commission

1963

Completion

1971

About
  • Docomomo US
  • US Board of Directors
  • Partner Organizations
  • Terms of Use
  • Site Credits
  • Contact
Membership
  • Membership Overview
  • Why you should become a member
  • Join
  • Members & Supporters

© Copyright 2025 Docomomo US

Donate

Donations keep vital architecture alive and help save threatened sites around the country. Docomomo US relies on your donations to raise awareness of modern design and advocate for threatened sites. Donate today ›