DocomomoJoin
  • Explore Modern
    • Explore the register
    • Designers
    • Styles of the Modern Era
    • Resources
  • Latest News
  • Events
    • Upcoming events
    • Modernism in America Awards
    • National Symposium
    • Tour Day
  • Support
    • Donate
    • Membership
    • Theodore Prudon Fund
    • Why become a member
    • Members & Supporters
  • Engage
    • About
    • Regional chapters
    • Start a chapter
    • Submit a site you love
    • Get involved
  • Search
  • Explore Modern
  • Register

Seneca One Tower

Marine Midland Center (1972-1999), HSBC Center (1999-2013)
Good
  • Brutalist
  • Identity of Building/Site
  • History of Building/Site
  • Evaluation
  • Documentation

Seneca One Tower

Seneca One Tower before its recent paint job.

Credit

Buffalo News

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Standing 60 feet tall, Ronald Bladen's “Vroom, Shhhh” (sometimes spelled “Vroom SH-SH-SH”) was one of the largest modern sculptures in U.S. upon erection, topping by 10 feet the Picasso sculpture in Chicago’s Civic Center Plaza (1967) commissioned by SOM's William Hartmann.

Credit

© Bob Hollingsworth / SOM

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Hill's stage screen for the auditorium played off of his sculptures for the Garden Terrace restaurant.

Credit

© SOM

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Seymour Knox II and his team accumulated over 500 prints and 36 paintings, mostly optical and pop art, for the office interiors.

Credit

© SOM

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Two wool tapestries (approximately 7.5 by 3 feet) by Jan Yoors hung up in a lounge area on the top floor that led to an adjacent dining area. Their presence, along with Davis Allen's clubby furniture, provided a calm and sophisticated backdrop for workers and visitors.

Credit

© Fred Lyons / SOM

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

Seneca One Tower

Site overview

Sited on the Buffalo River, One Seneca Tower is vertically dominant compared to many of the other buildings in the downtown Buffalo skyline. Designed by Skidmore, Owings & Merrill, the sand-colored steel and concrete tower was described upon its completion as a vertical village, with small shops and a restaurant that drew pedestrians in via an open plaza. Alongside the tower is an L-shaped four-story building that surrounds the northern section of the tower.

How to Visit

Private commercial building

Location

1 W Seneca St
Buffalo , NY, 14203

Case Study House No. 21

Lorem ipsum dolor

Seneca One Tower before its recent paint job.

Credit:

Buffalo News

Standing 60 feet tall, Ronald Bladen's “Vroom, Shhhh” (sometimes spelled “Vroom SH-SH-SH”) was one of the largest modern sculptures in U.S. upon erection, topping by 10 feet the Picasso sculpture in Chicago’s Civic Center Plaza (1967) commissioned by SOM's William Hartmann.

Credit:

© Bob Hollingsworth / SOM

Hill's stage screen for the auditorium played off of his sculptures for the Garden Terrace restaurant.

Credit:

© SOM

Seymour Knox II and his team accumulated over 500 prints and 36 paintings, mostly optical and pop art, for the office interiors.

Credit:

© SOM

Two wool tapestries (approximately 7.5 by 3 feet) by Jan Yoors hung up in a lounge area on the top floor that led to an adjacent dining area. Their presence, along with Davis Allen's clubby furniture, provided a calm and sophisticated backdrop for workers and visitors.

Credit:

© Fred Lyons / SOM

Designer(s)

Skidmore Owings & Merrill (SOM)

Other designers

John Merrill was the SOM partner in charge of the project and his team included architect Marc Goldstein, interior designer Margo Grant, interior design consultant Davis Allen, and graphic designer Jim Hill.

Cabot, Cabot and Forbes (original owner/developer)
Aberthaw-Cowper (general contractor)

Related News

A new developer's impulses clash with Buffalo's 1970s concrete skyscraper

Newsletter, special edition, 70s Turn 50

August 17, 2020

Related chapter

New York/Tri State

Related Sites

Commission

1969

Completion

1972

Original Brief

The building was constructed specifically for Marine Midland Savings Bank’s Headquarters. The firm of Skidmore Owings and Merrill (SOM) was commissioned to erect the tallest building in Buffalo. SOM was introduced to the project in the 1960’s. Constructed specifically for Marine Midland Bank’s headquarters and during the era of urban renewal programs in Buffalo, the 40-story building was not integrated into the surrounding context of the neighborhood.

Significant Alteration(s) with Date(s)

In 2016, a new developer, Jemal, purchased the site and made a number of changes, including the most visible change of painting the tower red and gray.

Current Use

Commercial office space.

Current Condition

In 2016, the building was purchased for $12 million, and an overhaul of the site began. At the time, the site was in need of many upgrades and repairs. When completed, the complex will function as a mixed-use hub.

Technical

The building’s architecture is a modernist style with precast concrete. the concrete façade is of the Brutalist style, which has become unpleasing to many in the 21st century. Various types of steel beams were used in its construction. The largest is 26 feet 10 inches long, weighing 42 tons; equivalent of two stories tall. As the vertical columns rose, floor beams and girders were welded into place, floor decks installed, and concrete flooring was poured. Simultaneously, the skin was being assembled, consisting of 4,000 slabs of precast concrete which were manufactured in Toronto.

Social

Besides being the tallest privately owned building in New York outside of New York City, this Modern gem captures the muscular architectural style of the post- World War II era. Its design which was distinctly modern in 1972, today feels fortress like and almost uninviting, unintentionally disrupting the flow of the urban fabric and seemingly creating an iconic barrier around which more welcoming development patterns are growing. Since it follows the idea of form-follows-function, the building was built specifically for the bank, but thankfully this consisted of 38 stories of open space for office use, which is exactly what HSBC and others used the building for, before leaving at the end of 2013. There is hope for this building as other similar SOM buildings have been revived, surviving economic challenges in present time. The original Marine Midland Center ranked as the largest development project in the city of Buffalo’s history at the time of construction in 1969. The typical size of each floor is 18,000 square feet and has flexibility in layout with no internal columns disrupting the flow. This building is actually similar to another SOM building which recently had a complete top to bottom renovation. the Edith Green-Wendell Wyatt Federal Building in Portland Oregon. The Portland building has been renovated into an environmentally friendly, sustainable piece of architecture with the help of $100 million in government funded money.

Cultural & Aesthetic

Built in 1972 the skyscraper took on the Brutalist style with precast concrete. The building is an example of many other building built during the time period that took part of the ‘urban renewal’ that backfired in multiple cities in the United States.

Historical

The building as stated earlier is widely known for being the tallest building in the city of Buffalo, and for being the largest privately owned tower in the state of New York outside of New York City. During the time of the buildings construction it received positive feedback for SOM’s success in erecting a building which stood out in the downtown Buffalo skyline.

General Assessment

Aside from being one of many buildings built by the famous architectural firm of Skidmore Owings and Merrill, it holds a valuable place in the architectural history of Buffalo. The perfect example of restrained Brutalist architecture stands out among all other buildings in the Buffalo skyline due to its impressive height. It is tough looking exterior is a reminder of this modern push of architecture which is an important part of architectural history.

References

3 article clippings from the Marine Midland Bank Folder at the Grosvenor Room located at the Buffalo Public LibraryMiller, Melinda. \"City & Region." Www.buffaloNews.com. N.p., 1 Dec. 2013. Web. 08 Apr. 2014.Miller, Melinda. "City & Region." Www.buffaloNews.com. N.p., 17 Nov. 2013. Web. 08 Apr. 2014.Epstein, Jonathan D. "Business." Www.buffaloNews.com. N.p., 17 Jan. 2014. Web. 08 Apr. 2014.Urban Land Institute Panel. "One HSBC Center Buffalo, NY." A ULI Advisory Services Panel Report (2013): n. pag. Print.
About
  • Docomomo US
  • US Board of Directors
  • Partner Organizations
  • Terms of Use
  • Site Credits
  • Contact
Membership
  • Membership Overview
  • Why you should become a member
  • Join
  • Members & Supporters

© Copyright 2025 Docomomo US

Donate

Donations keep vital architecture alive and help save threatened sites around the country. Docomomo US relies on your donations to raise awareness of modern design and advocate for threatened sites. Donate today ›